Here is a little recording I did together with my good old friends of Strange Fluid these days in my freshly refurbished little recording studio at Delicious Drums.
Thomas LeisnerAbout Beauty and Bright Ideas
I recently had the great pleasure to play with my good friend and saxophone player Kai Mader to check out a new way of recording in my studio. We improvised a little and got some fine results.
The Three-Axis-Model of Hand Position shows the spectrum of possibilities of holding sticks in your hands when playing the drums. There are three essential factors to consider, each one moving on an axis between two extreme points.
This second day we met was probably the most creative and productive of my meetings with Abelha Supersonica. The result is a solid piece of improvised drum and bass, which I split into five tracks afterwards.
The good news is: There will be a new Stoppok studio release coming soon! We just met for a weekend at his house near Bremen, where we played and experimented a little together.
In wintertime it’s good to remember the last summer sometimes. I specifically remember my sessions with Abelha Supersonica, a vocalectro live act from Berlin. With just her voice and a few little boxes she creates a superbly flowing performance.
I just finished the production of a CD for folk-singers “Lydia und Claudia”. It’s their first album and it’s got a rough and fresh attitude to it, which I like very much.
From 2008 to 2010 I played keyboards with Ewa Firsowicz, a singer born in Poland and living in Berlin. I joined the band that was formed to present the studio productions live on stage.
With Strange Fluid we had a good time performing at Berlin’s Magnet Club last week, as you can see, or better hear, from this little quick and dirty bootleg video compilation.
With my band Strange Fluid I play a hybrid drumkit for more than ten years now, as the mixture of electronic and acoustic sounds belongs to the concept of this band. The symmetry of this drumkit is based on my personal preferences.
TouchOSC comes with two grown-up controller layouts, one for Ableton Live and the other for Apple Logic. These control surfaces interact with the application via MIDI remote scripts which allow for bidirectional communication and automapping of parameters to controller elements. The one for Logic is an officially supported control surface for Apple Logic and is called LogicTouch.
I just finished two tracks I composed and produced for my girlfriend’s puppet theatre “Katinchen” and of course I don’t want to keep them secret from you! Would love to hear how you like them.
This design modification gives Mainstage the same „desaturated“ look that comes with the Logic design mod. Buttons, icons, meters and much more have been reworked to get to a neutral appearance of the whole interface, so you can concentrate on the colours you‘re actually working on in your layout.
Some weeks ago, when I went to my cellar, I found a CD that I had forgotten about for many years: A demo of my former smooth-jazz trio „Qualita Rossa“, and I was surprised how much I liked the sound – much better than I had it in mind.
With this very entry I‘m happy to present the first part of a new series called „Neutrum Design“. It is my approach to desaturate the interface of the applications I‘m working with, in order to set back what belongs to the background and thus to focus on the work itself.