I am happy to announce the recording of Acrepearls‘ second album. The first one is nearly finished and yet to be published, but we’re on our way for a second one already, and this time it will be a live recording session, so you are welcome to drop in and participate in the process by simply listening, watching and enjoying the atmosphere.
Thomas LeisnerAbout Beauty and Bright Ideas
For the first time I worked as a live sound technician for a little street festival at the place where I live in Berlin, the Flora-Kiezfest 2015. Over the day we had 15 acts on stage, including four grown-up bands of different styles in the evening.
Belarussian guitar player Sviatlana Paklina, better known under her artist name “Lasma“, asked me to join her current live project, an atmospherically dense and intense rock show. The big sound of her music asked for electronic drums with lots of effects on my side.
Here is a demo recording for Julia Toaspern & Band I recently produced at Delicious Drums. It features four original tracks with Julia’s brand new acoustic band.
We met one day in December to record the whole band at once, playing together live in my studio, to capture the most authentic live feeling. Following the new concept of the band we aimed for a clear and acoustic, yet modern sound.
Here is a little recording I did together with my good old friends of Strange Fluid these days in my freshly refurbished little recording studio at Delicious Drums.
I recently had the great pleasure to play with my good friend and saxophone player Kai Mader to check out a new way of recording in my studio. We improvised a little and got some fine results.
The Three-Axis-Model of Hand Position shows the spectrum of possibilities of holding sticks in your hands when playing the drums. There are three essential factors to consider, each one moving on an axis between two extreme points.
This second day we met was probably the most creative and productive of my meetings with Abelha Supersonica. The result is a solid piece of improvised drum and bass, which I split into five tracks afterwards.
The good news is: There will be a new Stoppok studio release coming soon! We just met for a weekend at his house near Bremen, where we played and experimented a little together.
In wintertime it’s good to remember the last summer sometimes. I specifically remember my sessions with Abelha Supersonica, a vocalectro live act from Berlin. With just her voice and a few little boxes she creates a superbly flowing performance.
I just finished the production of a CD for folk-singers “Lydia und Claudia”. It’s their first album and it’s got a rough and fresh attitude to it, which I like very much.
From 2008 to 2010 I played keyboards with Ewa Firsowicz, a singer born in Poland and living in Berlin. I joined the band that was formed to present the studio productions live on stage.
With Strange Fluid we had a good time performing at Berlin’s Magnet Club last week, as you can see, or better hear, from this little quick and dirty bootleg video compilation.
With my band Strange Fluid I play a hybrid drumkit for more than ten years now, as the mixture of electronic and acoustic sounds belongs to the concept of this band. The symmetry of this drumkit is based on my personal preferences.
TouchOSC comes with two grown-up controller layouts, one for Ableton Live and the other for Apple Logic. These control surfaces interact with the application via MIDI remote scripts which allow for bidirectional communication and automapping of parameters to controller elements. The one for Logic is an officially supported control surface for Apple Logic and is called LogicTouch.