Here is a little recording I did together with my good old friends of Strange Fluid these days in my freshly refurbished little recording studio at Delicious Drums.
Thomas LeisnerAbout Beauty and Bright Ideas
This second day we met was probably the most creative and productive of my meetings with Abelha Supersonica. The result is a solid piece of improvised drum and bass, which I split into five tracks afterwards.
The good news is: There will be a new Stoppok studio release coming soon! We just met for a weekend at his house near Bremen, where we played and experimented a little together.
In wintertime it’s good to remember the last summer sometimes. I specifically remember my sessions with Abelha Supersonica, a vocalectro live act from Berlin. With just her voice and a few little boxes she creates a superbly flowing performance.
I just finished the production of a CD for folk-singers “Lydia und Claudia”. It’s their first album and it’s got a rough and fresh attitude to it, which I like very much.
When asked for writing music for a stage show I developed this theme and produced a rough layout demonstrating it’s application in three different styles.
The show was intended to have an atmosphere between naivety and darkness. The theme I came up with therefore sounds a bit like a melancholic children’s song. It’s simplicity helps adapting it to different styles of music while still offering some possibilities.
The attached file is for TouchOSC, the touchscreen control surface app for your mobile device. It emulates the functionality of the famous “Oxygen 8″ keyboard when used together with Ableton Live.
TouchOSC is an app for mobile touchscreen devices that offers onscreen controller elements to interact with your computer via OSC and MIDI. You may build your own controller layouts or choose from a list of existing layouts.
I just finished two tracks I composed and produced for my girlfriend’s puppet theatre “Katinchen” and of course I don’t want to keep them secret from you! Would love to hear how you like them.
Some weeks ago, when I went to my cellar, I found a CD that I had forgotten about for many years: A demo of my former smooth-jazz trio „Qualita Rossa“, and I was surprised how much I liked the sound – much better than I had it in mind.